Monthly Archives: April 2007

Blue Iraq – High Tech Babylon by Bus

Blue iRaq

Pawn is a big fan of edge development and reportage. In the spirit of Babylon By Bus, in which Ray LeMoine and Jeff Neumann chronicle their experience trying to help Iraqi NGOs in the hectic year after “Major Combat Operations” ended, Jon Evans here profiles Ryan Lackey and his efforts to build an ISP in Iraq.

Ryan Lackey wears body armor to business meetings. He flies armed helicopters to client sites. He has a cash flow problem: he is paid in hundred-dollar bills, sometimes shrink-wrapped bricks of them, and flowing this money into a bank is difficult. He even calls some of his company’s transactions “drug deals” – but what Lackey sells is Internet access. From his trailer on Logistics Staging Area Anaconda, a colossal US Army base fifty miles north of Baghdad, Lackey runs Blue Iraq, surely the most surreal ISP on the planet. He is 26 years old.
Blood, Bullets, Bombs and Bandwidth


Stickin’ it to himself

Tommy Thompson

Tommy Thonpson, our erstwhile Governor, nearly choked on his ankle the other day before a group of Reform Jews, the 2007 Consultation of Conscience…

I’m in the private sector and for the first time in my life I’m earning money. You know that’s sort of part of the Jewish tradition and I do not find anything wrong with that.
Republican presidential hopeful Thompson: Money-making part of Jewish tradition – Haaretz – Israel News

So, did he make things any better with his apology?

I just want to clarify something because I didn’t [by] any means want to infer or imply anything about Jews and finances and things,
What I was referring to, ladies and gentlemen, is the accomplishments of the Jewish religion. You’ve been outstanding business people and I compliment you for that.
Friendly advice to American candidates trying to woo the Jewish vote – Haaretz – Israel News

But then, questioned by a reporter, tried to make it even better:

“I was tired, I made a mistake and I apologized,” Thompson told a group of Politico reporters and editors in an interview.
“Have you ever made a mistake?,” a testy Thompson demanded of this reporter.
T. Thompson Apologizes For Jewish Remark | Jonathan Martin’s Blog – Politico.com

Pawn well remembers Mr. Thompson’s proclivity for foot-in-mountisms, such as this gem from a statewide tour to promote a proposal to force a tax on citizens of five counties to support a private business, a proposal which those citizens had already rejected in referenda:

Stick it to ’em!

Nice to see that Ol’ Tommy’s still got it!

Public Lewdness

 Prince  (1981, NYC) © Laura Levine

The New Yorker has a wonderful profile of Prince (“our Dorian Grey”) in their April 9th issue. Here is an excerpt:

His backup dancers—Nandy and Maya McClean, twenty-six-year-old twins from Sydney, Australia—were energetic and effectively underclad, but Prince was still the most seductive presence onstage. When he simply cocked his head and smiled, it seemed like an act of public lewdness. He is androgynous but not effeminate, perfectly formed (one of the V.I.P.s at my table kept pointing out his butt to her husband, who didn’t seem to mind) but not in the way of a gym rat. Prince’s casual virtuosity, combined with his evident joy in wearing tight clothing, made every song he did entertaining.

Pawn is a fan of such “public lewdness”.

Indignation, Righteous or Wrongteous

Keith Olbermann
Anderson Cooper

Don’t tell me you don’t want to talk about personal life when you wrote a book about your father’s death and your brother’s death. You can’t move this big mass of personal stuff out for public display, then people ask questions and you say, “Oh, no, I didn’t say there was going to be any questions.” It’s the same thing as the Bush administration saying, “We’re going to war, but you really aren’t allowed to know why.”

Don’t tell me you can’t talk about your personal life and then, when they send you overseas and you do a report that consists of your voice-over and pictures of you in a custom-made, blue-to-match-your-eyes bulletproof vest, looking somberly at these scenes of human devastation — like a tourist — and that’s your report. Your shtick is your personal life
Keith Olbermann, on Anderson Cooper, in New York magazine

Dueling Lyrics

Pomus, Shuman, Fagin: Tears Dry on Their Own

hiding_tears.jpg I wish I could sing no regrets
And no emotional debt
Cause as he kissed goodbye the sunsets
So we are history
A shadow covers me
The sky above a blaze
That Only lovers see

He walks away the sun goes down
He takes the day but I’m grown
And in your way
My blue shade
My tears dry on their own

He walks away the sun goes down
He takes the day but I’m grown
And in your way
My deep shade
My tears dry on their own

Arthur Hamilton, Cry Me a River:rivertears.jpg

Now you say you’re lonely
You cried the long night through
Well, you can cry me a river
Cry me a river
I cried a river over you
Now you say you’re sorry
For being so untrue
Well, you can cry me a river
Cry me a river
Cause I cried, I cried
I cried a river over you
You drove me,
Nearly drove me out of my head
While you never shed a tear
Remember?
I remember all that you said
Told me love was too plebeian
Told me you were through with me and
Now you say you say love me
Well, just to prove you do
Come on and cry me a river
Cry me a river

Muse Rant

Do you think that you knowSleepwalking
Who I am, what I feel
Just because we spend so much
Time together

How do you know that you
Are seeing me
And not just seeing us

Don’t call me an iconoclast
just because I don’t
believe in any
color-by-numbers philosophies

You may call me a cynic
but I feel my karma
is too valuable to invest
in fly-by-night dogmas

If I can’t see it, hear it
feel it, smell it, than
it just doesn’t fit
in my mythology

Granted, I have co-opted
the features I most
like from the other
sects

Muses figure prominently
in this
but then, muses always do

You may be my muse
But that gives you little
Purchase upon my soul

I though that muses allowed
us to see ourselves
not the other way around

So if you want to know me
Take me as your muse
Or take off your shades
And read the pain in my eyes
I didn’t put it there
Just for you
It resonates for me, too

Painfull Relevancy

Don Imus stretched the limits of relevancy this past week, and lost his career as a result. In a faithfull reconstruction of Icarus’ flight, Imus proved what happens when everyone else treats him the way he likes to treat everyone else, and at the same time as he inserted “nappy headed ho” into the vernacular he also provided a Mel Gibson-esque opportunity for closeted bigots everywhere to feel temporarily enlightened. Now that the zeitgeist has absorbed him and spit him out, we are left to ponder how the latest in his seemingly endless chain of intolerant utterances led to his downfall this time.

don_imus.jpgdonimus-726652.jpg

imus_cowboy.jpgstoryimuslookgi.jpg

Pawn thinks the answer is simple, the press has built up a large catalog of truly frightening photos of him, and has been just waiting for a chance, in this 24/7 wired news environment, to use them all. The CNN homepage was a varitable slide show of craggy rugged Imus facial disaster. The world will be a better place when this orgy of Imus is behind us once and for all. Where’s Dannielynn Hope when we need her?

We make much of relevancy, us of Fortune. What is it that we are carrying on about? It is that so much of popular culture, and by dint of that, so much of our immersive 24/7 newsphere, is obsessed with things which really have no relevance to our lives? More time is spent on Anna Nicole Smith than Darfur. Neither has any direct affect on our lives, but at least Darfur is about events which are affecting millions of people, as opposed to the dozen or so who are actually affected by Smith’s issues. There are so many people affected by the goings on in Darfur that Google Earth shows it.

What is so compelling about the Imus debacle, at least to Pawn, is that here is a story of immense relevance, the issues broached, or is it breeched — racism, sexism, bullying — are the unhealed sores which fester on our national psyche. Viscious attacks are leveled daily against so many people in our society, we have come to take it for granted. The mysogony implicit in Imus’ remarks, however, seem especially raw since the blows fell on Cinderellas, young women who had done nothing but incite the public’s (a small sector of it at least) interest for their perseverence.

In a recent New York Post column, Dick Morris and Eileen McGann wrote about the contrasts between Barack Obama and Hillary Clinton. In this slashing attack on Hillary, they take this tired swipe (in reference to recent poll numbers), “Turned off by Hillary’s shrill advocacy, they love Obama’s reasonable demeanor.” It has become the norm that whenever a pundit, of either gender, differs with a woman, that woman is “Shrill.” One rarely hears men described as shrill, save David Sedaris, perhaps. Men may be “strident,” but women are “shrill” or “stentorian” on a regular basis. This systemic mysogony has seeped so thouroughly into our collective consious that we are barely even aware of it anymore. What woman could possibly run for office and not be charactorized as shrill, given how we have all been conditioned to this frame?

It is a reflection of that reality that Imus gave us. He trotted out a stereotype and threw it in our faces. This is not to exonerate him; what he said was ugly and it quickly and effectively stripped those ten young women from Rutgers of their achievment and glory they deserved. He made them small, or he tried to. He failed.

That it failed speaks volumes about our society. Just what it says will take some time to sort out.

Kurt Vonnegut, RIP

Kurt Vonnegut - NY Times

Riding on a bus for 13 hours from Milwaukee, WI to Marshall, MN. January 1979 following a bout with hepatitis, the deepest snowfall and most prolonged winter freeze of my still young life. The bus breaks down in a snowstorm midway from Minneapolis to Marshall and we have to wait an additional 3 hours for the company to send a new one from the Twin Cities, and then continue on to Marshall, another three hours in the white furry mess that the landscape has become.

I don’t care, I am reading Slaughterhouse-Five and I am having my eyes opened to a Timequake draped in blacknew way of thinking and seeing things. Kurt Vonnegut had got me, and he never let go. Until today, that is. Even to his last his raw cynicism mixed with boundless hope and clear vision of what can be, his optimistic pessimism, his hopeless expectation, changed many lives, and changed the very sense of American literature.

Flags are flying at half staff in our hearts tonight, our bookshelves draped in black.

The Times, as is their wont, had an exemplary obit at the ready. You may find it here:
Kurt Vonnegut, Writer of Classics of the American Counterculture, Dies at 84 – New York Times

Guided by Voices (and history).

Sen. Joe Biden (D-DE)Pres. Jed Bartlett (fictional)

On MoveOn.org’s recent Virtual Town Hall Meeting, Democratic presidential candidates were asked by a woman from Coconut Grove, Florida “In your opinion, what is the best and fastest way to get out of Iraq?” Here is Sen. Joe Biden’s (D-DE) response:

To be responsible, one has to be able to answer a two-word question in
my view after you’ve put forward what you think should be done, and
that is: Then what? After we pull our troops out, then what? After we
cap troops, then what? After we cut partial funding, then what?

This is very reminiscent of a response given by President Jed Bartlett in a fictional debate with a Republican challenger in season 4 of The West Wing. In response to Florida Gov. Richie’s “ten word answer” to a question, Barlett responds:

What comes next? That’s the important thing, what comes next? Every once in a while, every once in a while, there’s a day with an absolute right and an absolute wrong, but those days almost always include body counts. Other than that, there aren’t very many un-nuanced moments in leading a country that’s way too big for ten words. I’m the President of the United States, not the President of the people who agree with me.

Now is Sen. Biden honestly asking the question or is he (consciously or not) influenced by the hidden hand of Aaron Sorkin, much as he was guided by the voices of Abraham Lincoln and Neil Kinnock during his aborted 1988 presidential campaign?

For what it’s worth, Pawn agrees with Biden on this (and with Bartlett on his query). There are no good answers on Iraq, and very few good questions, for that matter. Its a shame that Biden’s own policy positions are nowhere near as nuanced as the understanding revealed by his simple question, “Then what?”